This is not the type of book I normally read. No, really. I’m serious. But once I started, I couldn’t stop. I mean, how does a small-town guy, from humble beginnings, with a C-average, go from being married at sixteen and with no future to becoming one of the most renowned art forgers in the world?! Tony Tetro’s story is as compelling as his writing style is smooth. I felt I was watching a movie; and it’s one you don’t want to miss.
The world’s most renowned art forger reveals the secrets behind his decades of painting like the masters—exposing an art world that is far more corrupt than we ever knew while providing an art history lesson wrapped in sex, drugs, and Caravaggio.
The art world is a much dirtier, nastier business than you might expect. Tony Tetro, one of the most renowned art forgers in history, will make you question every masterpiece you’ve ever seen in a museum, gallery, or private collection. Tetro’s “Rembrandts,” “Caravaggios,” “Miros,” and hundreds of other works now hang on walls around the globe. In 2019, it was revealed that Prince Charles received into his collection a Picasso, Dali, Monet, and Chagall, insuring them for over 200 million pounds, only to later discover that they’re actually “Tetros.” And the kicker? In Tony’s words: “Even if some tycoon finds out his Rembrandt is a fake, what’s he going to do, turn it in? Now his Rembrandt just became motel art. Better to keep quiet and pass it on to the next guy. It’s the way things work for guys like me.” The Prince Charles scandal is the subject of a forthcoming feature documentary with Academy Award nominee Kief Davidson and coauthor Giampiero Ambrosi, in cooperation with Tetro.
Throughout Tetro’s career, his inimitable talent has been coupled with a reckless penchant for drugs, fast cars, and sleeping with other con artists. He was busted in 1989 and spent four years in court and one in prison. His voice—rough, wry, deeply authentic—is nothing like the high society he swanned around in, driving his Lamborghini or Ferrari, hobnobbing with aristocrats by day, and diving into debauchery when the lights went out. He’s a former furniture store clerk who can walk around in Caravaggio’s shoes, become Picasso or Monet, with an encyclopedic understanding of their paint, their canvases, their vision. For years, he hid it all in an unassuming California townhouse with a secret art room behind a full-length mirror. (Press #* on his phone and the mirror pops open.) Pairing up with coauthor Ambrosi, one of the investigative journalists who uncovered the 2019 scandal, Tetro unveils the art world in an epic, alluring, at times unbelievable, but all-true narrative.
About the Author
Tony Tetro is a world-renowned art forger who has produced countless pieces that have easily passed as the work of the Masters from Rembrandt to Monet to Picasso to Dali. For over forty-five years, Tetro’s work duped the art world and appeared as legitimate pieces in museums, galleries, auction houses, and private collections across the globe. In 1989, Tetro was convicted of art forgery in a heavily publicized trial in Los Angeles. He was released from prison in 1994. He has since become a media figure and he continues to paint original works in the style of famous painters for an exclusive list of clients. In 2019, four of his pieces were scandalously discovered in Prince Charles' collection.
Giampiero Ambrosi is the founder of Oak Grove Films and has extensive experience in investigative and hard news documentary. After following Tetro’s story for over twenty years, Ambrosi was part of the team that uncovered Tetro’s inadvertent connection to the 2019 Prince Charles art forgery scandal in the Mail on Sunday, which was nominated for “Investigation of the Year” at the 2020 British Journalism Awards. He is producing a forthcoming feature documentary on the Prince Charles art forgery scandal.
“Think Goodfellas meets the art gallery….Tetro, with his laid-back attitude, wry take on the art world and streetwise humor, is not one for modesty….It’s hard not to be charmed by the tale of this average nobody who scams his way to the big time, only to blow all his money on like a mobster on fast cars, fast women, hard drinking, and hard drugs….Tetro emerges as a loveable rapscallion—part highly skilled conjurer, part practical joker—who points out what the sceptics have always tended to suspect: that the art market emperors are strutting their stuff in no clothes….Tetro’s frankness is invigorating….His art appreciation, however rough and ready…can feel delightfully fresh.”—Times of London
“Tetro, one of the most prolific art forgers of the 20th century, paints his own life story with flair in this cinematic memoir… Written in a colorful, conversational voice and blending memoir, art history, and true crime, Tetro’s account takes readers on a turbulent, fast-paced, high-stakes roller-coaster ride. This is the art world’s The Wolf of Wall Street.”
—Publishers Weekly (starred review)
“[Tetro’s] memoir, cowritten with investigative journalist Giampiero Ambrosi, is absolutely fascinating, full of the kind of evocative writing and precise detail that brings an autobiography to life. He might have been doing something illegal, but it’s awfully hard not to like Tony Tetro. Like reformed con artist Frank W. Abagnale (Catch Me If You Can), he seems straightforward, open about his crimes, and just a bit proud of his success as a crook. A welcome addition to any true-crime shelf.” —Booklist (starred review)
“A successful, prolific art forger tells his remarkable story…He has amusing things to say about people who have too much money and not enough sense…. Tetro tells his rollicking story well, and the result is a unique narrative. An entertaining account that shines a light onto a shady world as well as a personal story of hubris and redemption.”—Kirkus Reviews
"First, a warning: after reading this book, you might find yourself inspecting the pictures hanging in museums and galleries a little more closely....This mind-boggling and absorbing memoir charts the rise and fall of the American forger, who made headlines when some of his Monets were discovered in the collection of King Charles III. Expect art history, big money, sex, and corruption." —Monocle
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