If you fell in love with Leslie Jamison's compassion and care in her collection of essays "The Empathy Exams," you will not be disappointed by her latest work. While delving into her own struggles with addiction she also draws many correlations between creativity and addiction. She chronicles the works and the habits of everyone from Billie Holiday to David Foster Wallace, offering keen insights into the daily struggles and the role that these struggles played in their creative mediums. Part cultural history and part memoir, this book is perfect for anyone who is seeking something thought-provoking.
April 2018 Indie Next List
“I've loved everything Leslie Jamison's written, but best of all so far is The Recovering, a memoir/history/criticism-hybrid that takes addiction and recovery as its subject. Every time I sat down with this book, I felt like I was in the company of my smartest friend, someone who knew all the right words for life's greatest pleasures and pains. Her book moves fluidly from personal remembrances to perfectly synthesized research into how and why people (herself and artists and others) elect to warp their consciousness with substances. The Recovering is a thorough and thoughtful look at many of our worst and some of our best tendencies, and Jamison's continually compelling style makes it a delight to read.”
— John Francisconi, Bank Square Books, Mystic, CT
"Riveting . . . Beautifully told." --Boston Globe "An honest and important book . . . Vivid writing and required reading." --Stephen King "Perceptive and generous-hearted . . . Uncompromising . . . Jamison is a writer of exacting grace." --Washington Post "Brilliant . . . The Recovering leaves us with the sense of a writer intent on holding nothing back." --Los Angeles Times From the New York Times bestselling author of The Empathy Exams comes this transformative work showing that sometimes the recovery is more gripping than the addiction. With its deeply personal and seamless blend of memoir, cultural history, literary criticism, and reportage, The Recovering turns our understanding of the traditional addiction narrative on its head, demonstrating that the story of recovery can be every bit as electrifying as the train wreck itself. Leslie Jamison deftly excavates the stories we tell about addiction--both her own and others'--and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence, including John Berryman, Jean Rhys, Billie Holiday, Raymond Carver, Denis Johnson, and David Foster Wallace, as well as brilliant lesser-known figures such as George Cain, lost to obscurity but newly illuminated here. Through its unvarnished relation of Jamison's own ordeals, The Recovering also becomes a book about a different kind of dependency: the way our desires can make us all, as she puts it, "broken spigots of need." It's about the particular loneliness of the human experience-the craving for love that both devours us and shapes who we are. For her striking language and piercing observations, Jamison has been compared to such iconic writers as Joan Didion and Susan Sontag, yet her utterly singular voice also offers something new. With enormous empathy and wisdom, Jamison has given us nothing less than the story of addiction and recovery in America writ large, a definitive and revelatory account that will resonate for years to come.
About the Author
Leslie Jamison is the author of the essay collection The Empathy Exams, a New York Times bestseller, and the novel The Gin Closet, a finalist for the Los Angeles Times Book Prize. She is a contributing writer for the New York Times Magazine, and her work has appeared in publications including The Atlantic, Harper's, the New York Times Book Review, the Oxford American, and the Virginia Quarterly Review. She directs the graduate nonfiction program at Columbia University and lives in Brooklyn with her husband, the novelist Charles Bock, and their two daughters.