This is a beautifully written story of two artists - one in 16th century Venice and one in present day Connecticut. The author speaks to the senses, perceptions, and obsessions the painters have with their muses. A passionate look at the pain and pleasure of relationships and art itself. A great escape!
June 2020 Indie Next List
“This narrative contains two different love stories, centuries apart, that are connected by both art and ancestry. It’s hard to say which I preferred: the modern tale of an almost-reclusive book restorer and an artist client unhappy in his marriage, or the story from Renaissance Venice of the client’s ancestor, a respected artist and a beautiful courtesan to one of the city’s leading luminaries. Woven together, they form an intriguing tapestry of love, family, history, and art.”
— Tanya Parker Mills, The Book Bungalow, St. George, UT
Two impossible love stories are fatefully connected by one artistic legacy in a stunning debut that leaps between the mysteries of late-Renaissance Venice and the dramas of present-day America.
“Enchanting from the first page.”—Sarah Jio, New York Times bestselling author of All the Flowers in Paris
In the wake of her father’s death, Rose Newlin finds solace in her work as a book restorer. Then, one rainy Connecticut afternoon, a struggling painter appears at her door. William Lomazzo brings with him a sixteenth-century treatise on art, which Rose quickly identifies as a palimpsest: a document written over a hidden diary that had purposely been scraped away. Yet the restoration sparks an unforeseen challenge when William—a married man—and Rose experience an instant, unspoken attraction.
Five centuries earlier, Renaissance-era Venetians find themselves at the mercy of an encroaching Ottoman fleet preparing for a bloody war. Giovanni Lomazzo, a portrait artist grappling with tragedy, discovers that his vision is fading with each passing day. Facing the possibility of a completely dark world, Gio begins to document his every encounter, including what may be his final artistic feat: a commission to paint the enchanting courtesan of one of Venice’s most powerful military commanders. Soon, however, Gio finds himself enraptured by a magnificent forbidden love.
Spellbound by Gio’s revelations, Rose and William are soon forced to confront the reality of their own mystifying connection.
A richly detailed page-turner shadowed by one of history’s darkest times, The Lost Diary of Venice weaves a heartbreakingly vivid portrait of two vastly different worlds—and two tales of entrancing, unrelenting love.
About the Author
Margaux DeRoux was born in Juneau, Alaska. Before turning to fiction she was a waitress, a teacher, and a marketer. She now lives in California with her husband and daughter.
“Margaux DeRoux’s intoxicating debut has all the elements I crave in a story: forbidden love, a found diary holding mysterious secrets from the past, and oh, the lure of Venice in the time of masquerade balls and courtesans. DeRoux’s beautifully told story, with richly woven detail and attention to historical authenticity has all the elements of a book club fave!”—Sarah Jio, New York Times bestselling author of All the Flowers in Paris
“DeRoux’s thought-provoking debut paints a vivid atmospheric picture of sixteenth-century Venice, seamlessly weaving together two compelling threads of alluring, forbidden love.”—Jennifer Ryan, bestselling author of The Chilbury Ladies’ Choir
“[A] scintillating debut . . . DeRoux brilliantly evokes the 16th-century Venetian art world. [The Lost Diary of Venice] will satisfy bibliophiles and Renaissance art lovers alike.”—Publishers Weekly